like any one else. John Donne, along with similar but distinct poets such. He has corrected and educated the taste of his readers and brought about a rethinking regarding the function of poetry and the nature of the poet process. Eliot, review of, metaphysical Lyrics and Poems of the Seventeenth Century: Donne to Butler. In this essay, Eliot discusses three questions: To what extent did the so-called metaphysical form a school or a movement? In his essay ". But Keats and Shelley died, and Tennyson and Browning ruminated. My Pulse, like a soft Drum Beats my approach, tells Thee I come; And slow howere my marches be, I shall at last sit down by Thee. (In the last few lines there is that effect of terror which is several times attained by one of Bishop King's admirers, Edgar Poe.) Again, we may justly take these quatrains from Lord Herbert's Ode, stanzas which would, we think, be immediately pronounced. Grierson (Oxford: Clarendon Press. The poets in question have, like other poets, various faults. The intensity with which Donne grapples with concepts of divinity and mortality in the.
They are simple, artificial, difficult, or fantastic, as their predecessors were; no less nor more than Dante, Guido Cavalcanti, Guinizelli, or Cino. In The Metaphysical Poets, he writes: When a poets mind is perfectly equipped for its work, it is constantly amalgamating disparate experiences; the ordinary mans experience is chaotic, irregular, fragmentary.
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The sentimental age began early in the eighteenth century, and continued. John Milton, and once Milton was imprisoned during the Restoration, Marvell successfully petitioned to have the elder poet freed. Johnson, who employed the term "metaphysical poets apparently having Donne, Cleveland, and Cowley chiefly in mind, remarks of them that "the most heterogeneous ideas are yoked by violence together." The force of this impeachment lies in the failure of the conjunction, the fact that often. On the other hand, some of Donne's most successful and characteristic effects are secured by brief words and sudden contrasts: A bracelet of bright hair about the bone, where the most powerful effect is produced by the sudden contrast of associations of "bright hair" and. Times Literary Supplement, October 1921. In Chapman especially there is a direct sensuous apprehension of thought, or a recreation of thought into feeling, which is exactly what we find in Donne: in this one thing, all the discipline Of manners and of manhood is contained; A man to join himself. The poet must become more and more comprehensive, more allusive, more indirect, in order to force, to dislocate if necessary, language into his meaning. In the seventeenth century a dissociation of sensibility set in, from which we have never recovered; and this dissociation, as is natural, was aggravated by the influence of the two most powerful poets of the century, Milton and Dryden. Donne ( ) was the most influential metaphysical poet. O géraniums diaphanes, guerroyeurs sortilèges, Sacrilèges monomanes!
The Metaphysical Poets
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