cap (generally red) was worn in the fourteenth century. Juliet is not, of course, the only character in Shakespeare to break gender norms. Tunics and Cloaks, - There was a great variety of tunics in these centuries, but the "primitive" style descriptive essay about traffic jam still prevailed. Once more Shakespeare is playing around with the feminine lunar qualities of Romeo as opposed to the traditionally masculine qualities that are more often found in Juliet.
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Act III, scenes iiiv, act IV, scene i, lines 1163. Find the"s you need to support your essay, or refresh your memory of the play by reading these key"s. This was a tall "sugar-loaf" or "steeple" of buckram covered with silk or brocade; the wide end was covered by a deep band of black velvet which fell on each side of the face to the shoulder; this was called a Frontlet, and it was. The Houppelande was lined with a contrasting colour or with fur; a belt was generally worn round to the waist of it, with small dagger, and Gipsire, a pouch of various shapes, attached. 22), reaching to the knee and often having the edges dagged. In the early part of Richard IPs reign and in that of Richard III the shoes called Poleyns were worn; they had enormously long pointed toes, stuffed with wool or moss, which were sometimes hooked up, for convenience in walking, to a band and loop. The shoulders were often tied together with ribbons. 26) (probably fixed to a narrow head-band and a large veil, just falling over the forehead, was thrown over them, and the crespine perched on the top. Another cap very common in the fifteenth century in England and Italy was a very high fez, generally of black velvet and either stiff or soft. Of course, Romeos" above sees sharing love in the completely opposite way. A white chemise, with long full sleeves, was worn, and these were drawn through the space between armhole and sleeve and at the elbow and wrist (Fig.